Metal Black is the eleventh studio album by the heavy metal band Venom. It was released in 2006 through Castle Music/Sanctuary Records. It is the last to feature Mykvs on guitar. The name of the album is a play on their 1982 album Black Metal, one of the band's best known LPs.
*Cronos – bass guitar, vocals
* Mykvs – guitar
*Antton – drums
fi:Metal BlackThis text has been derived from Metal Black on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0
Venom are an English heavy metal bandExtreme metal according to that formed in 1979 in Newcastle upon Tyne. Coming to prominence towards the end of the New Wave of British Heavy Metal, Venom's first two albums—Welcome to Hell (1981) and Black Metal (1982)—are considered a major influence on thrash metal and extreme metal in general.Kahn-Harris, Keith, Extreme Metal: Music and Culture on the Edge, Oxford: Berg, 2007, ISBN 1845203992 Venom's second album proved influential enough that its title was used as the name of an extreme metal subgenre: black metal.
Early years (1978–1981)
Venom's original personnel came from three different bands: Guillotine, Oberon and DwarfStar. The original Guillotine featured Jeffrey Dunn and Dave Rutherford on guitars, Dean Hewitt on bass guitar, Dave Blackman on vocals and Chris Mercaters on drums. Blackman and Mercater were replaced by drummer Anthony Bray (b. 17 September 1957 in Newcastle) and vocalist Clive Archer of Oberon and soon after, Dean Hewitt was replaced by Alan Winston on bass. Around the summer of 1979, Conrad Lant from the bands DwarfStar and Album Graecum replaced Rutherford. Around this time, the band adopted the Venom moniker.
Prime influences of the formative band were Black Sabbath, Judas Priest, Motörhead and Kiss. Other bands cited by Venom as an inspiration are Queen, The Who, Deep Purple, Sex Pistols, Van Halen, The Tubes and Rolling Stones.
A few days before a show at a local church hall, Winston left the band. To fill in, Lant borrowed a bass guitar from Steve Thompson (later to become Venom's first producer). Playing the show with the borrowed bass plugged into his Marshall guitar amp and effects pedals, he created an unnerving racket and the 'Bulldozer Bass' was born.
Venom's lyrics often featured Satanic references, and the band members took on new stage names. Archer became 'Jesus Christ', Lant 'Mr. Cronos', Bray 'Tony Abaddon', and Dunn 'Jeff Mantas'.
In April 1980, the band recorded a three song disc, featuring "Angel Dust", "Raise the Dead", and "Red Light Fever". Soon afterward, six more tracks were recorded for just £50, with Lant taking vocal duties on the song "Live Like an Angel". Archer soon left the band, and Venom's line-up became a trio.
Classic lineup (1981–1986)
Venom's recording debut was the 1981 single "In League with Satan"/"Live Like an Angel" which was released by Neat Records. Later that year they released their full-length debut, Welcome to Hell.
Venom cronos live hole in the sky bergen norway 27 august 2010.jpg210pxthumbrightCronos of Venom performing at Hole in the Sky in August 2010
Though crudely recorded with sometimes dubious musicianship, Welcome to Hell was still a remarkable tour de force for the era. Venom's music was faster and harsher than most heavy metal contemporaries and while Satanism and other dark topics had been featured in metal before, the subject had rarely been more prominent. Lant was quoted as saying that this celebration of evil subjects was inspired by the perceived need to out-do musicians like Ozzy Osbourne of Black Sabbath, who would 'sing about evil things and dark figures, and then spoil it all by going "Oh No, No Please God help me!"', reviewed by James Christopher Monger for Allmusic.com
Their second album, 1982's Black Metal is cited as perhaps the most important influence in the development of black metal, thrash metal, death metal, and other related styles that are often grouped under the extreme metal umbrella.Khan-Harris, 2007 Many defining elements of these genres are first found in the lyrics and song titles created by Lant and his unique singing style as well as the guitar work and solos performed by Dunn. Though they would later be cited as important, neither of Venom’s first two albums sold well upon their original release. And while many of their British metal peers had found measures of popular success or critical acclaim (or, like Def Leppard, were moving away from metal towards hard rock), Venom were still regarded by critics as "a trio of buffoons".
In an attempt to prove their status as serious musicians, Venom recorded At War with Satan in 1983. The epic 20-minute title track, with substantial progressive rock influences, took up the first side of the LP. The B-side was focused on the rapid-fire, three-minute "scorchers" Venom were known for. In 1985, Venom released their fourth album, Possessed, which was not as successful as previous albums. Dunn then left the band to pursue a solo career.
Lineup changes and departure of Lant (1987–1996)
Two guitarists, Mike Hickey and Jim Clare, were hired to replace Dunn. Their fifth album, 1987's Calm Before the Storm, moved away from Satanic themes in favor of Tolkien-esque “Sword and Sorcery” material., reviewed by Steve Huey for Allmusic.com This was even less successful than Possessed, and Lant, Clare and Hickey all left Venom after subsequent touring to form Lant's eponymous solo band Cronos.
Bray was left as the only group member, but he was able to convince Music for Nations for a deal to release a new Venom album on the Under One Flag label, using Deadline demo tracks which were recorded with previous line-ups but never released. In 1988, Bray offered a vocals/bass role to Tony Dolan from Atomkraft. Bray and Dolan wrote new material prior to Dunn's rejoining the band along with rhythm guitarist Al Barnes. Together they recorded Prime Evil (1989), Tear Your Soul Apart (1990) and Temples of Ice (1991). Barnes then left the band, and Steve White from Atomkraft was hired as his replacement. They released The Waste Lands in 1992, also without success. Music for Nations refused to release any more Venom albums, so Dolan and Dunn quit, effectively disbanding Venom. Bray continued to release compilation and live albums up to 1995.
Reunion of classic lineup (1995–1999)
In 1995, Lant, Dunn and Bray reunited the "classic" line-up, beginning by headlining the Waldrock Festival on 24 June 1995. They recorded and self-released the Venom '96 EP with four re-recorded and one new song, resulting in a record deal with the SPV label. An album, Cast in Stone, was next released in 1997, split between new material and re-recordings of popular early-'80s songs.
Recent work (1999–present)
Bray left Venom in 1999 and was replaced by Lant's brother Anthony "Antton" Lant. This lineup released Resurrection in 2000 on SPV. However, in 2002 Dunn again left the group and was replaced by a returning Hickey. In late 2005, Venom released a career-spanning 4-disc box set MMV, which includes an exclusive mini-poster of the band's seven-date tour of Europe with Metallica and a 60 page picture book, with interviews and pictures. The set includes all their best-known songs, along with rarities like live tracks, demos and outtakes. This lineup of the band released the Metal Black album.
Hickey left the group 2007, with a guitarist calling himself Rage serving as his replacement. This lineup released the record Hell in 2008. Anthony Lant has since left the group and has been replaced by drummer Danny "Dante" Needham.
In January 2011, Venom announced that they would begin writing new material for the upcoming 15th album, with plans to enter the recording studio in the months that followed.
As Venom were one of the first incarnations of extreme metal, influencing many thrash metal, black metal, death metal and other extreme metal bands,
their exact genre has been a topic of debate. Venom has been labeled various genres by members of the press. Most prominent genres are black metal,Black metal according to (1) Venom page, (2) Venom page, (3) Black Metal review, (4) Venom page thrash metal,Thrash metal according to (1) , (2) Yyrkoon - Unhealthy Opera review and speed metal.Speed metal according to Venom page
Legacy and Influence
Welcome To Hell influenced "literally thousands" of bands. Venom's music helped shape the development of many thrash metal bands, specifically the Big Four of Thrash (who in turn were highly influential): Metallica, Slayer, Anthrax and Megadeth (Metallica opened for Venom on an early 1980s tour and Slayer played with them on the Combat Tour in 1985). Venom would also be of extreme importance to the black metal and even the early death metal scene, with numerous bands copying styles, themes and imagery from the band, such as the Swiss band Hellhammer which also helped pioneer the genres.
Venom often used Satanic and other 'evil' themes in their lyrics, but critic Bradley Torreano declared that the band had "their tongues planted firmly in their cheeks", with a sense of humor and irony that was sometimes lost on their fans and other musicians. Torreano adds that Venom " the attention of both metalheads and punks, the band was emulated by the former and turned into camp icons by the latter." reviewed by Bradley Torreano for Allmusic.com
When asked about the criminal actions or violent behaviour of some later black metal bands (notably, there were a string of arsons and a few murders in the Norwegian black metal community in the 1990s), Venom's members reportedly expressed disapproval, stating the point of Venom is to make controversial music, and "How can you make albums and tour if you are in jail?".
Although they didn't make it to MTV's top 10 heavy metal bands list, they were given an "honorable mention."
While many fans and musicians see Venom as an important band, their music has nonetheless been the subject of debate and criticism. Critic Eduardo Rivadavia of Allmusic writes that though Welcome to Hell influenced "literally thousands" of bands, Venom was "critically reviled" and composed of "incompetent musicians." However, critic James Christopher Monger declares that the members of Venom 'grew as musicians' as their careers progressed. Ethnographer Keith Kahn-Harris argues that Venom's limited technical skill, particularly early in their career, was a profound, though inadvertent factor in Venom's influence: being unable to mimic more technically proficient metal of their predecessors or peers, Venom instead opted to focus on sheer speed, creating music that was inspired by earlier metal, yet simultaneously blazed new trails.
In his Black Flag tour diary, singer Henry Rollins wrote about a 1986 performance when Black Flag opened for Venom. He opines that Venom was hilarious, with mediocre playing and a stage performance focused on appearances rather than music; Rollins asserted that the musicians used portable fans to keep their hair flowing while on stage. Rollins wrote, "It was like seeing Spinal Tap ... I expected them to go into 'Sex Farm' at any second."Rollins, Henry Get In The Van: On The Road With Black Flag, 2.13.61 Publications, 1994 Rollins writes that he and some tourmates drew magic marker pentagrams on their hands to flash at Venom and offer “Hail Satan” salutes. For their final number, Venom asked the audience to chant what Rollins thought was “Black Funky Metal”, which briefly made Rollins suspect that he had overlooked Venom's sense of humor, until he realized Venom was actually saying “Black Fucking Metal.” Venom reportedly laughed off Rollins’ comments saying "Henry didn't have the balls to speak to us back then, he hid backstage, but now he mouths off behind our backs. His band was useless and that's why he writes books now. He even got the date of the show wrong. Go write some more books and we'll keep making music."
Venom's members were apparently well aware that their musical skills were questioned, especially by other bands. During a concert at the Hammersmith Odeon in 1984, guitarist Mantas was doing a between-song rant when he remarked rather loudly: "A lot of bands are out there tonight, waiting for Venom to make a mistake. Well, we are the fucking mistake!" Taken from audio track of: "The 7th date of Hell: Live at the Hammersmith Odeon" copyright 1984 Neat Records and Music (D.W.E. Ltd.)
* Conrad "Cronos" Lant – bass guitar, vocals (1979–1987, 1995–present)
* La Rage – guitar (2007–present)
* Danny "Dante" Needham – drums (2009–present)
* Jeffrey "Mantas" Dunn – guitar (1979–1986, 1989–2002)
* Anthony "Abaddon" Bray – drums (1979–1999)
* Clive "Jesus Christ" Archer – vocals (1979–1980)
* Mike "Mykvs" Hickey – guitar (1986–1987, 2005–2007)
* Jim Clare – guitar (1986–1987)
* Tony "Demolition Man" Dolan – vocals, bass guitar (1989–1992)
* Alastair "Big Al" Barnes – guitar (1989–1991)
* Steve "War Maniac" White – guitar (1992)
* Antony "Antton" Lant – drums (2000–2009)
Studio albums and EPs
* Welcome to Hell (1981)
* Black Metal (1982)
* At War with Satan (1983) (Chart Position #64 UK),(#48 SE)
* Possessed (1985) (Chart Position #99 UK)
* Calm Before the Storm (1987)
* Prime Evil (1989)
* Tear Your Soul Apart (EP) (1990)
* Temples of Ice (1991)
* The Waste Lands (1992)
* Venom '96 (EP) (1996)
* Cast in Stone (1997)
* Resurrection (2000)
* Metal Black (2006)
* Hell (2008)
* TBA (2011)
* Eine Kleine Nachtmusik (1986)
* The Singles 1980-1986 (1986)
* The Book of Armageddon (Best of) (1992)
* Skeletons In The Closet (1993)
* Kissing the Beast (1993)
* New, Live and Rare (1998)
* Old New Borrowed & Blue (1999)
* In League with Satan (2002)
* MMV (Box set) (2005)
ReferencesThis text has been derived from Venom (band) on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0